{"title":"Kim Yong Seop","description":"\u003cp\u003eIcheon-Seladonmeister, der Yunrimun-Muster aus dreifarbigem Ton – Weiß, Schwarz, Purpur – für mystische, ineinandergreifende Designs herstellt, die an das uralte Mysterium von Goryeo erinnern\u003c\/p\u003e","products":[{"product_id":"celadon-vase-flowing-yeonri-motif-formed-from-three-blended-clays","title":"Seladon-Gayageum mit eingelegtem Pfingstrosen- und Phönix-Motiv","description":"\u003cp\u003e \u003cstrong\u003e„Wo Musik auf Stille trifft und Ton zu einer Klangerinnerung wird.“\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eDieses außergewöhnliche Werk ist eine Neuinterpretation des Gayageum – eines beliebten traditionellen koreanischen Saiteninstruments – aus Porzellan. Es wurde vollständig von Hand in Icheon gefertigt und misst etwa 55 cm in der Länge. Obwohl nicht für Aufführungen gedacht, ist dieses Seladon-Gayageum weit mehr als eine dekorative Hommage. Es ist eine skulpturale Symphonie aus Form, Präzision und Symbolik – entstanden aus unzähligen Brennversuchen.\u003c\/p\u003e\n\n\u003cp\u003e Der Körper besteht aus Seladon-Ton im Goryeo-Stil, glasiert in einem zarten Jadegrün mit dem charakteristischen Craquelé-Finish, das für klassische koreanische Keramik so geschätzt wird. In die Oberfläche sind mit der Sanggam-Technik (Intarsientechnik) zwei ikonische Motive eingearbeitet: die Pfingstrose, Symbol für Wohlstand, Ehre und zeitlose Schönheit, und der Phönix, Sinnbild für Wiedergeburt und edle Anmut. Zusammen drücken diese Motive Ausgeglichenheit und Aufstieg aus – was das Stück nicht nur schön, sondern auch tiefgreifend bedeutungsvoll macht.\u003c\/p\u003e\n\n \u003cp\u003eJedes Element eines echten Gayageums wurde sorgfältig in Keramik nachgebildet: die drei Klangkammern an der Basis, die fein geschnitzten Anjok (Stegstifte in Form von Gänsefüßen), die gedrehten Saiten und die ornamentalen Schmetterlingsquasten. Der rötliche Randakzent und die mit dem Pinsel gezeichneten Muster verleihen der Jadeoberfläche Kontrast und Rhythmus, während feine Details – wie der karmesinrote Phönixschnabel – die verfeinerte Beherrschung von Glasur und Feuer durch den Handwerker zeigen.\u003c\/p\u003e\n\n\u003cp\u003e Trotz seiner filigranen Erscheinung ist dieses Werk ein selbstbewusster Blickfang. Ob auf einem edlen Holzschrank oder in einer lichtdurchfluteten Nische platziert, erzeugt es eine Stimmung kontemplativer Erhabenheit – ruhig und doch unverkennbar edel. Es spricht nicht durch Melodie, sondern durch Ausgeglichenheit.\u003c\/p\u003e\n\n\u003cp\u003e Wie bei allen handgefertigten Arbeiten sind geringfügige Abweichungen im Glasurton, der Oberflächenstruktur oder den Intarsiendetails zu erwarten und willkommen. Jedes Stück trägt den Atem des Ofens und den Rhythmus der Hände des Herstellers in sich.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eMaße\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Breite: 56 cm (21,65 Zoll)\u003c\/li\u003e\n\n \u003cli\u003eTiefe: 14 cm (5,51 Zoll)\u003c\/li\u003e\n\n\u003cli\u003e Höhe: 6 cm (2,36 Zoll)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Goryeo Cosmetics Inc.","offers":[{"title":"Default Title","offer_id":47664659923176,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2800\/9976\/files\/01F35E04-3D8F-47B9-B19D-C6D171FB02B7.jpg?v=1757624993"},{"product_id":"celadon-jar-ho-relief-carved-pair-of-cranes-motif","title":"Celadon Jar (Ho): Relief-Carved Pair of Cranes Motif","description":"\u003cp\u003e\u003cstrong\u003e“Where silence breathes, and flight begins from stillness.“\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt once minimal and monumental, this round-bodied celadon vase invites the gaze to slow. Its surface, cloaked in an ethereal blue-green glaze with soft craquelure, seems less like ceramic than like moonlight held in shape. It is both vessel and void—an homage to what is said by what is left unsaid.\u003c\/p\u003e\n\u003cp\u003eThe form itself defies convention. There is no defined neck or spout—only a gentle opening, slightly recessed into the spherical mass. This structural decision, deceptively simple in appearance, posed a technical risk during firing. Without the reinforcement of a neck, the body is more prone to collapse in the kiln. Master artisan Kim Yong-Seob of Icheon—a renowned figure in Korean ceramics—undertook this challenge with resolve, embracing failure as part of form. What emerged is not merely a vase, but a quiet triumph of balance over fragility.\u003c\/p\u003e\n\u003cp\u003eAdorning the surface are two white cranes, delicately rendered in raised relief. They are neither crowded nor central; they float in a sea of celadon glaze, their wings extended mid-flight. The pairing is intentional—a symbol of harmony and companionship, of duality in motion. The surrounding expanse is unmarked, amplifying the presence of these two figures and honouring the philosophy of negative space.\u003c\/p\u003e\n\u003cp\u003eThe crackled glaze, known as bingyeol, adds subtle movement to the still form—fine as veins beneath translucent jade. The absence of overt decoration becomes its greatest strength. Here, restraint becomes resonance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight- 25 cm (9.84 inch)\u003c\/li\u003e\n\u003cli\u003eDiameter- 22.5 cm (8.86 inch)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Goryeo Cosmetics Inc.","offers":[{"title":"Default Title","offer_id":47777333674216,"sku":null,"price":1520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2800\/9976\/files\/FullSizeRender_c429d3b7-3c05-40e9-abdc-65adf918189e.jpg?v=1762063352"},{"product_id":"celadon-vase-ho-high-relief-pair-of-cranes","title":"Celadon Vase (Ho): High-Relief Pair of Cranes","description":"\u003cp\u003e\u003cstrong\u003eThose who choose slowly, and prefer silence in an object over spectacle, tend to return to a form like this.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Blue-green light seems to pause on its surface.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAt once minimal and monumental, this round-bodied celadon vase invites sustained looking. Its blue-green glaze has the depth of translucent jade, and its soft craquelure gives the surface a quiet, internal animation—subtle, persistent, never decorative for its own sake.\u003c\/p\u003e\n\u003cp\u003eMaster artisan Kim Yong-Seop of Icheon approaches celadon as an exercise in restraint, where the smallest change alters the entire balance. In this new work, the most telling departure is the mouth, drawn longer than before. That extension is a measured risk: it lifts the profile, narrows the margin for error, and asks the body to remain stable beneath a more pronounced upward line. The vase answers with composure, its volume holding the tension without strain.\u003c\/p\u003e\n\u003cp\u003eAcross the shoulder, a pair of cranes is modelled in pale relief, wings spread mid-flight. They are not placed as a central emblem; instead, they hover within a wide expanse of unmarked glaze. This restraint amplifies their presence. In Korean visual culture, cranes are enduring symbols of longevity and integrity; shown as a pair, they also speak to harmony and companionship—two beings moving together through open space. The motif reads as a concluding note rather than an assertion.\u003c\/p\u003e\n\u003cp\u003eThe crackled glaze—bingyeol—threads fine lines beneath the light, giving the still form a sense of time held in suspension. Here, celadon’s natural splendour meets the minimal finish of the paired cranes, and the harmony is achieved through what is left untouched.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight- 24 cm (9.45 inch)\u003c\/li\u003e\n\u003cli\u003eDiameter- 22.5 cm (8.86 inch)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Goryeo Cosmetics Inc.","offers":[{"title":"Default Title","offer_id":48068251517160,"sku":null,"price":1520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2800\/9976\/files\/high-relief-vase2.jpg?v=1771478905"},{"product_id":"celadon-jar-ho-pine-in-relief-and-inlaid-crane-motif","title":"Celadon Jar (Ho): Pine in Relief and Inlaid Crane Motif","description":"\u003cp\u003e\u003cstrong\u003eIt is chosen by those who recognize that true presence rarely announces itself.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“A still world gathers beneath the glaze, where endurance and passage meet in luminous quiet.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis celadon jar by Kim Yong-Seop of Icheon is defined by a composure that feels both spare and exacting. Its near-spherical body rises without the reassurance of a pronounced neck, opening only slightly at the summit, as though the form had been drawn inward rather than extended outward. Such restraint is not merely aesthetic. In a vessel of this kind, the absence of a developed neck increases the difficulty of achieving stability in the kiln, and so the serenity of the final silhouette carries within it a hidden technical resolve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe surface is organised around an old pine rendered in embossed relief, its trunk and branches unfolding across the generous curve of the body with measured authority. This choice of motif is inseparable from the form itself. On so broad and continuous a field, the pine serves not as embellishment but as structure: it anchors the eye, distributes visual weight, and draws the gaze gradually around the vessel’s circumference. The composition therefore does not interrupt the jar’s rounded fullness; it inhabits it, allowing image and volume to remain in quiet accord.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat lends the pine its particular distinction is the extraordinary refinement of its making. The tree is first brought forward in low relief, then worked again with finely incised lines that articulate the grain of the trunk and the delicate spread of the needles. This secondary cutting is crucial. It prevents the raised surface from becoming merely mass, giving it instead an inner vibration, a sense of age, breath, and tensile life. One becomes aware here of the master’s discipline: volume is established with restraint, then animated through incision so subtle that the hand remains present without ever becoming insistent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAround and between the branches, cranes appear with remarkable lightness. Their bodies are set into the surface with delicacy, so that they seem less attached to the jar than momentarily held within it. They do not crowd the composition, nor are they gathered into a fixed emblematic centre. Instead, they move through intervals of open ground, and it is precisely this spacing that gives them grace. In Korean visual tradition, the pairing of pine and crane carries longstanding associations with longevity, steadfastness, dignity, and auspicious continuity. Here, that symbolism is handled with notable intelligence: the pine offers permanence, while the cranes introduce passage; one holds, the other traverses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe celadon glaze gathers these elements into a single atmospheric field. Its blue-green tone possesses a quiet radiance, while the fine craquelure spreads across the surface like an intimate record of fire and cooling. Rather than functioning as embellishment, this network of lines softens transitions between relief, incision, and open space, so that the vessel reads as one continuous skin of light. The result is neither wholly pictorial nor wholly sculptural. It exists, more compellingly, between the two.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEqually important is what has been left undisturbed. The work depends upon reserves of open surface, and these areas of calm are not empty in any diminished sense. They are the conditions that allow the pine to extend with gravity and the cranes to move without noise. This measured use of negative space gives the jar its monumental character. What first appears restrained gradually reveals itself as deeply composed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver time, the vessel discloses its full authority slowly: ancient pine held in raised contour, cranes passing in lucid intervals, and a glaze that receives light with the patience of something long remembered. It does not simply depict longevity; it gives form to a way of enduring. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter- 29 cm (11.42 inch)\u003c\/li\u003e\n\u003cli\u003eHeight- 29 cm (11.42 inch)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Goryeo Cosmetics Inc.","offers":[{"title":"Default Title","offer_id":48198155501800,"sku":null,"price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2800\/9976\/files\/CELADON_JAR_HO_PINE_IN_RELIEF_AND_INLAID_CRANE_MOTIF.jpg?v=1775469673"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2800\/9976\/collections\/kim-myeong-sub5.jpg?v=1758138068","url":"https:\/\/artinko.gallery\/de\/collections\/kim-yong-seop.oembed","provider":"Artinko Gallery","version":"1.0","type":"link"}